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Short films from the catchment. We would rather have none than have footage taken without consent.
Video from the field is genuinely useful for explaining what a degraded bank looks like against a restored one, in a way a photograph struggles to.
\nIt also raises the consent question sharply. Filming a household’s land, or a person working, requires their informed agreement, in their own language, with a clear explanation of where the footage will appear and who might see it. We collect that before filming, not afterwards.
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